Reviewed for Shockya.com by: Harvey Karten
Director: Adam McKay
Screenwriter: Adam McKay
Cast: Christian Bale, Amy Adams, Jesse Plemons, Steve Carell, Sam Rockwell, Lily Rabe, Alison Pill, Shea Whigham, Eddie Marsan, Tyler Perry, Justin Kirk
Screened at: DGA, NYC, 11/23/18
Opens: December 25, 2018
Adam McKay is nothing if not a patriotic critic of United States policy. With his adaptation of “The Big Short,” he took on the folks who gave us the worst recession since the Great Depression. With “Revolt of the Yes Men” he and his fellow directors struck at corporate crimes for Big Business’ efforts to fight climate change. “Anchorman 2” showed the man’s ability to make a light movie just for fun, though he is probably critical of any newscaster who came after Walter Cronkite. Now he does it again with a satire that has elements of Michael Moore’s hard-hitting humor but tempered in his depiction of former Vice President Dick Cheney to such an extent that you might think at times that he is simply neutral about the man’s “accomplishments.” “Vice” is a most delightful description of Cheney and his times beginning in 1963 and ending with the closing of the Bush administration where he watches the Obama inauguration from a wheelchair, pretending for the photographers that he is not completely disgusted with the afternoon’s activities.
As played by Christian Bale, who gained forty pounds for the role (not a wise choice considering that this could put him in league with the Veep who had five heart attacks), Cheney influences President George W. Bush to such an extent that journalists and pundits believe that he is not just the man behind the throne but the guy who is actually serving as President of the United States. Cheney is a master manipulator, using his street smarts to get Bush to give him more power than any preceding Vice President ever enjoyed. In fact he had been so aggressive in his determination to influence American foreign policy that he may have made the big decision to move troops from Afghanistan into Iraq, the kind of mistake to which the U.S. had become accustomed–not such our policy toward Vietnam but dating back to colonial days when patriotic countrymen strung up those dreadful witches.
Though his approval rating when he left office was 13%, you’ve got to wonder where the people who became the rank and file of the Tea Party were. Surely more of us, particularly in the red states of course, are willing to defend anything the Republican Party does, even tolerate a serial liar and womanizer simply because the person occupying the Oval Office is doing what they want him to do. Cheney himself notes that like Nixon, he believes that anything the President does is ipso factor legal.
McKay, who wrote the script as well as directs, reaches back to 1963 when the Nebraska-born, Wyoming-living politician attended Yale and later the University of Wyoming getting a graduate degree in Political Science. McKay brings us to the Nixon and Ford administrations where he pushes his way into getting appointed as White House Chief of Staff, then in 1978 becomes the sole Wyoming representative in the House where he is reelected five times, then Secretary of Defense during the George W. Bush presidency. He has time even to become the CEO of Halliburton which, by coincidence no doubt, won many government no-bids contracts to supply war needs in Afghanistan and Iraq. It’s little wonder that when he resigned from Halliburton—whose stock rose 500% at one point—he was given a separation sum of $22 million.
Much is made of the domestic life of the man. He is given hell by his wife Lynne Cheney (Amy Adams) during the early years of their marriage for being a drunk and getting into bar fights, but soon enough he shapes up to watch his star rise and see the pride that Lynne takes in him. His wife, surprisingly, does not want him to accept an appointment from Bush to be his running mate since the job is considered ceremonial—or in more colorful terms as John Nance Garner once put it, “not worth a bucket of warm spit.” Little did Garner realize that a manipulator of the sort that Cheney was could actually set policy, which would be officially announced as the thoughts of the President. The only character who shines as much as both Bale and Adams is Steve Carell, a busy man indeed, who can emcee an evening of Saturday Night Live and now just as effectively portray Defense Secretary Donald Rumsfeld.
About the Michael Moore comparison: the most comical scene occurs when Bush (Sam Rockwell, who is truly funny to nobody’s surprise) tries to coax Cheney into becoming his running mate. Cheney resists, telling POTUS that instead he could recommend a slate of people he considers worthy. Little does Bush realize that Cheney is playing him, acting coy in order to make demands that Bush give him more policy-making power than any Vice President had before him. Cheney is mum on the issue of gay marriage, which a conservative Republican would surely oppose. Could it be because one of his two daughters, Mary, is an open lesbian now living in Virginia with her wife Heather Poe? And could that explain why Cheney broke rank with most of his fellow conservatives by supporting gay marriage? If only the man were that decent and not the one who supported waterboarding and other methods of enhanced interrogation! Never mind that Mary’s sister, during her own campaign for Wyoming’s rep in the House, insists that marriage is between a man and a woman. Ah, politics.
Even serious matters like Cheney’s heart attacks are choreographed with wit. When the Vice President falls to the floor and an ambulance is called, that’s the usual way. In two other cases he stands with colleagues and announces casually and almost ironically that they should call the hospital. When Cheney gets the heart of a man who dies in an auto accident, instead of praising the hero’s family he says that he is proud to have “my new heart.” If Cheney is truly the man with the most influence on foreign policy during the Bush administration, he deserves censure for the loss of life of our fighting team and for 600,000 mostly civilian deaths in Iraq.
This is not the first satiric movie about Cheney but arguably the most incisive and best acted. Oliver Stone directed a biographical drama using Richard Dreyfus to impersonate Cheney; in “Who is America” Sacha Baron Cohen pranked Cheney into signing a makeshift water board kit. Ultimately you might agree that Cheney is so out of touch with common decency that you don’t need to pen a satiric book or a broadside on the screen. He is his own caricature.
123 minutes. © 2018 by Harvey Karten, Member, New York Film Critics Online
Story – B+
Acting – A
Technical – B+
Overall – A-