EXIT PLAN (Selvmordsturisten)
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Jonas Alexander Arnby
Screenwriter: Rasmus Birch
Cast: Nickolaj Coster-Waldau, Kate Ashfield, Jan Bïjvoet, Tuva Novotny, Robert Aramayo
Screened at: Critics’ link, NYC, 5/30/20
Opens: June 12, 2020
To paraphrase Winston Churchill’s comment about the Soviet Union, “Exit Plan” is a riddle wrapped in a mystery inside an enigma. Just when you think you’ve figured it out—is it a dream? A tumor-inspired hallucination? A strange, horrifying reality? Anything is possible in this Danish movie with English subtitles and some spoken English (Scandinavians are famous for fluency in English) but by the time the film is over, you’re not sure what happened. To its credit, this is a horror movie without the slashing, a psychological thriller without car chases or explosions. “Exit Plan” is a virtually a chamber piece whose focus is fixed on the principal character, who by his expressions tries to tell us in the audience what he’s thinking and feeling. He takes off his glasses and leans his head on the table. He stares at a loved on as if afraid to tell her what he’s feeling. He even smiles sometimes, which is not easy if you have a terminal, growing brain tumor that, as one knowledgeable person notes, might make you mistake your wife for a dog–not an entirely bad idea since you’ll probably give her some affection for a change.
This is a star vehicle for Nikolai Coster-Waldau, who you’ll remember in the role of Jaime Lannister from “Game of Thrones.” He is directed in a sophomore feature by Jonas Alexander Arnby, whose previous movie, “When Animals Dream” finds 16-year old Marie living on a small island with her seriously ill mother and her father. When suddenly mysterious deaths happen and Marie can feel something strange happening to her body. You’ll see that the Copenhagen-born director is right in his métiér with this one.
Max Isaksen (Nikolaj Coster-Waldau) learns that he has terminal brain cancer. To avoid a painful demise, he opts to travel by car and small plane to the frosty north (could be Denmark, Norway, Finland or Sweden), registering with the Hotel Aurora. The management therein provides assisted suicide fantasies allowing guests to have dream suicides, choosing the landscape, the method, the whole shebang. The trouble is that the Aurora is like the Roach Motel. You go in, but you can’t come out. Yep. Once you sign the register, you are not allowed to leave. In fact bolting is more difficult than breaking an apartment lease in New York.
While clad in pajamas, Max waits out the few days till his demise, chatting with one woman who will try to escape, but each time he has a talk back home with his wife Lærke (Tuva Novotny) he does not know how to raise the topic. Most of the time, director Arnby, using a script by Rasmus Birch, whose “Brotherhood” deals with Danish servicemen thrown together in a neo-Nazi group, tries to penetrate Max’s mind, his expertise being able to let us in the audience know what it’s like to be in an extreme existential crisis.
The pace is slow, picking up during the final fifteen minutes when Max decides whether he wants to go through with the plan or has cold feet. (When in one scene he falls through the ice, his extremities are literally freezing.) A good indie for a patient audience.
85 minutes. © 2020 by Harvey Karten, Member, New York Film Critics Online
Story – B-
Acting – B
Technical – A-
Overall – B