PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME – movie review

PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME (Felkészülés meghatározatlan ideig tartó együttlétre)
Greenwich Entertainment
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Lili Horvát
Writer: Lili Horvát
Cast: Natasa Stork, Viktor Bodó, Benett Vilmányi, Zsolt Nagy, Péter Tóth
Screened at: Critics’ link, NYC, 1/7/21
Opens: January 22, 2021

Film Poster

We’ve all heard this. “Let’s do lunch some time.” “We’ve really got to get together.” “My wife and I want to have you over for dinner soon.” “Stay in touch.” People who take invitations like these seriously are likely to be called rubes by those of us who have enough experience in life to distrust them. What do you think would happen if you took the speaker up on such fake invites? Humiliation, probably, so we shrug off the come-on just as does the inviter. This reminds me of the New Yorker magazine cartoon showing an executive behind the desk on the phone, saying “How about never? Is never good for you?” But you’re not likely to hear that from polite folks.

Now here’s a film that shows what happens to a woman who takes a man’s invitation seriously. She’s a neurosurgeon no less, who in Jersey meets a man in the same field. János Drexler (Viktor Bodó) is from Budapest at an American medical conference. The woman is ethnically Hungarian too. We don’t see what happens in New Jersey but apparently they agree to meet in Budapest in one month by the Liberty Bridge (and you’d better make sure of which bridge because Budapest has seventeen).

A month later, Márta Vizy (Natasa Stork) flies to Budapest to meet him, and later to take up a new job in one of the city’s hospitals. She has been stood up, and here comes a scene that should land this foreign language gem an award for Best Male Fantasy. There is nobody to greet her, so she faints dead away. The scene comes from the pen of director Lili Horvát, whose coming-of-age tale “The Wednesday Child” was her freshman, full-length film. Now she has a fleshed-out narrative that labels her a feminist, a female director with a female lead, notwithstanding the principal character’s anxieties when unable to connect to the first person (at age 40) who makes her feel “like this.”

Building on male fantasy, Márta, about to fly back to New Jersey but determined to connect with János, runs from the airport and takes a job at the hospital at which János does surgery. Never mind that János had later told her that he never laid eyes on her, which takes the film from frustrated romance into psychological mystery. What’s the truth? Did she imagine everything? Because if she did, the story is a cop-out, given that you can excuse all sorts of strange occurrences on a dream. But no, there is an explanation. Wait a while.

Now isn’t it just like a neurologist to think she has a brain ailment, leading her to have a few sessions with a psychiatrist. Is she impaired? She could always hang out with a fourth-year medical student who lusts after her, thankful that she successfully treated his father, but she’s not that desperate. We’ve got a mystery here, one destined to keep us glued to the end to get some answers. Will this mature film be tainted with a happy, Hollywood ending? Will Márta become institutionalized? Is her brief affair with him in her bare, shoddy apartment, imagination or one-night stand?

If we were not wallowing in this one-year-old pandemic, “Preparations To Be Together For An Unknown Period Of Time” could conceivably open in any theater that has room in its marquee to fit the title. Though this is marketed here for those Americans who have no problem reading subtitles, it could draw a larger audience. The plot moves along at a good clip, highlights the impressive talents of Natasa Stork as the blue-eyed, classy but lonely protagonist, has some good shots on Budapest streets by cinematographer Robert Mály, and serves well as this year’s answer to Hitchcock’s “Vertigo.” In other words, this is not artsy-fartsy: hey, it’s not brain surgery.

95 minutes. © 2021 by Harvey Karten, Member, New York Film Critics Online

Story – B+
Acting – A-
Technical – B+
Overall – B+