ALLEN v. FARROW – movie review

HBO Documentary Films
Reviewed for & linked from Rotten Tomatoes by: Harvey Karten
Directors: Kirby Dick, Amy Ziering
Writers: Kirby Dick, Amy Ziering
Cast: Woody Allen, Mia Farrow, Dylan O’Sullivan Farrow, Ronan Farrow, Carly Simon, Frank Maco
Screened at: Critics’ link, NYC, 2/24/21
Opens: February 21, 2021 on 4 Sunday nights at 9p for one approximately hour each


Who do you believe? Woody Allen was accused of sexually molesting his partner’s adopted daughter, Dylan Farrow, when she was seven. That was twenty-eight years ago. Woody Allen’s defense is that Mia Farrow, who is Dylan’s adoptive mother and Allen’s girlfriend, manipulated the child to accuse her stepdad. Why? According to Allen, Mia Farrow is a vengeful woman not all-that-right in the head. Allen was never found guilty in a court of law because Frank Maco, the prosecutor, believed the little girl “too fragile” to be put on the stand. HBO Documentary Films now presents four episodes to examine the case, each about an hour beginning February 21, 2021.

Never mind that Allen was never convicted. During the past year or two, various people who starred in his movies, Timothée Chalamet, Griffin Newman, Rebecca Hall among others (but not Diane Keaton who remains a big fan) are donating their salaries from those films, some to anti-abuse organizations. Amazon, its distributor, refused to air “A Rainy Day in New York” in any U.S. theaters, but folks in Poland somehow were exempt from the boycott. “The evil that men do lives after them. The good is oft interred in their bones.” [Marc Anthony].

Some critics have complained that writer-directors Kirby Dick and Amy Ziering, whose “The Bleeding Edge” indicts some modern medical technology, are biased. They must be convinced that Allen’s calling his partner not right in the head sounds overblown. Also, that child reported that her father took her into the attic on one day and touched her in the butt and the vagina, an accusation that she has upheld consistently since the incident, sounds spot-on. They add that this was not a one-time, twenty-minutes’ molestation, showing pictures of Allen and Dylan in awfully tight hugs and improper looks. That Allen married Mia Farrow’s stepdaughter, Soon-Yi Previn in 1997 despite an age difference of thirty-five years, becomes part of the heap of “evidence” that Allen likes ‘em young.

Needless to say, Mia Farrow, who thoroughly believes her child, broke up with Allen, saying she wishes he had never entered her life, and proves this in a flurry of taped phone conversations. The filmmakers more than imply that Woody Allen is a hero to New Yorkers given the major works filmed in the Big Apple and his view that he feels stifled in the countryside.

This is a well-paced doc, giving us a breather after every hour, presumably showing us all the evidence we need to know. Detractors include Ronan Farrow, a journalist who wrote a scathing anti-Allen article in the New Yorker, and who titillates readers of “People” magazine and the like suggesting that he is the son of Frank Sinatra. Allen defends himself rather well not only in press conferences but in his memoir “Apropos of Nothing,” which makes Allen wish that he never met Mia Farrow. So feelings are reciprocal.

Believe it or not stepfathers and even biological daddies rape their young charges, whether in the statutory form or via outright violence. But if you are a celeb like Woody Allen or like Roman Polanski (who had statutory relations with a thirteen-year-old and is unable to set foot in the U.S. lest he go to jail), you get the book thrown at you. Though IndieWire’s critic states that “after this documentary, no one should want to hear from Allen for a very long, long time, how about reserving judgment? I recognize the writer-directors’ one-sided treatment. I believe one is innocent until proven guilty. Harvey Weinstein and Bill Cosby went to jail but only after being found guilty of sexual misconduct in courts of law. Making charges against people without clear evidence, unproven in a fair trial, may have worked during the Spanish Inquisition, but some of us like to think we are (after a four-years’ respite) a democracy.

© 2021 by Harvey Karten, Member, New York Film Critics Online

Story – B+
Acting – A-
Technical – B+
Overall – B+