Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Greg Mitchell
Cast: Greg Mitchell, Daniel McGovern, Herbert Sussan
Screened at: Critics’ link, NYC,
Opens: March 20, 2021 through March 30, 2021 at Cinequest in San Jose, California and streaming.
Bumper stickers on the backs of cars provide sound bites of their drivers’ political views. You may think you can avoid getting parking tickets from traffic cops with the sticker, “Support your local police.” If you do not like U.S. policy in Afghanistan and Iraq, you sport the saying, “We’re creating terrorists faster than we can kill them.” Shortly after World War 2 (as I recall) and even in recent years, there is the bumper sticker “No Pearl Harbor, then no Hiroshima,” which some people today would assume is the motto of fellows on the political right. However, left-leaning folks today would find a major flaw in that last motto: the bombing of Pearl Harbor killed mostly sailors, military people, a total of some 2500. The American bombings at Hiroshima and Nagasaki killed over 200,000, at least 80% civilians; that includes old men, women and children. In fact the Hiroshima bombing was directed toward the center of the city and not to the military base.
Nowadays we have so many issues to think about that the Hiroshima and Nagasaki bombings fade into obscurity. But thanks to the people who filmed “Atomic Cover-Up,” which includes grainy black-and-white celluloid taken by Japanese journalists shortly after the bombing in addition to color shots by the U.S., we get to see not only the devastation to buildings (just a few remain almost intact) but more poignantly to the people who fell victims to the heat and radiation. One poor guy lying in his stomach had a back as raw as a skinless-and-boneless salmon. Red from neck to waist. He was in agony and begged to be put out of his misery, but the doctors and nurses who heroically treated victims of the bombs were determined to treat him. He survived and is now married with kids.
Despite the intrusive music in the soundtrack, there is much praise due to the showing of this film at the Cinequest Festival in California’s San Jose, and further, that the film was declared top secret by the U.S. for decades gives it the resonance of a forbidden fruit. Shots taken immediately post-war portray and apocalyptic vision of a Hiroshima virtually leveled, and remember that this hear 1945 bomb is a pup compared to what nine countries possess today. As one commentator notes, the next nuclear war will be “the end of everything.”
The irony of it all is that a military man, Dwight D. Eisenhower, called the bombing unnecessary as Japan was already defeated, thereby attacking arguments by some that the atomic bomb saved tens of thousands of American lives, soldiers who would have to stage a land invasion of the Japanese archipelago in order to end the war.
After being declassified the film aired in 1970 on PBS and is available now as a streaming. Moreover film-maker Greg Mitchell had written a book on the history of the footage, now available on Amazon, though the small number of reviews there indicate that not that many prospective readers consider it a hot political issue today. Its 52 minutes’ length and its selection of only a small amount of devastating human suffering makes John Hersey’s classic “Hiroshima” the more heartbreaking.
52 minutes. © 2021 by Harvey Karten, Member, New York Film Critics Online
Story – B+
Acting – N/A
Technical – A-
Overall – B+