THE GOOD TRAITOR (Vores mand i Amerika)
Samuel Goldwyn Films
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Christina Rosendahl
Writers: Kristian Bang Foss, Danja Gry Jensen, Christina Rosendahl
Cast: Ulrich Thomsen, Burn Gorman, Ross McCall, Zoë Tapper, Denise Gough, Pixie Davies, Henry Goodman, Mikkel Boe Følsgaard, Nicholas Blane
Screened at: Critics’ link, NYC, 2/25/21
Opens: March 26, 2021
Wonderful, wonderful Copenhagen, capital city of a country that heroically ferried its Jewish population of 7200 to safety in neutral Sweden, thereby saving their lives from Nazi onslaught. Denmark, which is now among the most progressive countries in the world embracing what may be called Medicare for All, generous parental leave, long time off in the summer, has a problem in its twentieth century history. There was, I fear, something rotten in the state of Denmark, because when Hitler invaded the small country, the Danish government offered virtually no resistance, negotiating with the Hun almost immediately. The cowardly action gained more opprobrium when its king and prime minister fired its ambassador to the U.S., an action resisted by the person holding that office, which called its outpost in Washington the official government of Denmark in exile.
“The Good Traitor” is a biopic, well not exactly since it is “inspired” by the tale of Henrik Louis Hans von Kauffmann (Ulrich Thomsen), focuses almost equally on domestic melodrama as on political gamesmanship. The title character is considered a hero if you look backward from the present year but considered by the Danish government during World War II a traitor. Ordinarily a fellow who may represent only a small country but whose bravery catapults him to modern heroism would be too busy giving the middle finger to King Christian X to have time for a 51-year-old’s hanky-panky. But Kauffmann, married to Charlotte MacDougall (Denise Gough), is in love with Charlotte’s sister Zilla Sears (Zoë Tapper). The affair had been going on for years, leading to a melodramatic confrontation when Charlotte discovers the two kissing in the ample grounds of the Danish embassy in Washington.
Charlotte, however, has an important role to play, being an American, the daughter of U.S. Navy Rear Admiral William Dugald MacDougall, giving her a special “in” with President Franklin D. Roosevelt (Henry Goodman)– played with laid-back, aw-shucks behavior. While the war in Europe is raging, Henrik uses Charlotte’s influence with POTUS to help push a reluctant America into the war, noting that Hitler is not going to stop his conquests at the water’s edge. He wins the gold. Literally. He names himself the legal government rep of Denmark when he is merely its fired ambassador, which allows him to unlock the gold bars in New York’s Federal Reserve Bank to finance liberation activities in at least ten other Danish embassies including those in Iran and Egypt. He also has the chutzpah to sign away part of Denmark’s colony of Greenland to the U.S. for air force bases in perpetuity. It’s no wonder that the cowardly government in Copenhagen and a surprising number of pro-Nazi Danes consider Kauffmann an enemy of the state. History now judges the man a good traitor.
The film includes a meeting of FDR and Churchill (the latter looking more bloated than our previous U.S. president) in the presence of the Danish ambassador, who simply acts as though his firing never took place It reaches toward soap opera whenever Kauffmann, who has juice with the President for Pete’s sake, cannot get his wife to excuse his peccadilloes with her own sister. In defense of his extra-curricular recreation with Zilla, he reminds his wife that he loves Zilla’s… eyes. Who could resist? Who is so hardhearted not to excuse him, for the flesh is weak?
The movie makes no attempt to build up to a surprise conclusion that could be copied in a future horror movie by Dario Argento or Wes Craven or Eli Roth, giving us much of the final scene in the opening moments. This is a respectful projection of the crucial war years involving Kauffmann, and old-fashioned biopic complete with the beautiful ballads of the thirties and forties in America on the soundtrack. Jo Stafford’s “The Things We Did Last Summer” would have been most appropriate. Danish-born Christine Rosendahl, whose “The Idealist” deals with a nuclear disaster during the Cold War, is in the director’s seat.
The film is in English and in Danish with English subtitles.
115 minutes. © 2021 by Harvey Karten, Member, New York Film Critics Online
Story – B
Acting – B
Technical – B+
Overall – B