DA 5 BLOODS
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Spike Lee
Writer: Danny Bilson, Paul De Meo, Kevin Willmott
Cast: Delroy Lindo, Jonathan Majors, Clarke Peters, Norm Lewis, Isiah Whitlock Jr.
Screened at: Critics’ link, NYC, 12/14/20
Opens: June 13, 2020
Spike Lee’s testosterone picture is no mere action-adventure film. The war scenes play out to evoke Lee’s overriding message: African-Americans have fought for our country in the Civil War, two World Wars, Korea, Vietnam, Afghanistan, Iraq, and assorted skirmishes, but the promise of America has not been kept. Police racism, Presidential bigotry, and general all-purpose fear and hatred have been part of our DNA’s since the first slave ship arrived in 1619. In fact Trump’s popularity is engendered in large part by his put-downs of Black and brown people, whether curtailing immigration from countries with people or color or advising us that militias like the Proud Boys are filled with good people. Lee throws in archival films not only of scenes from the Vietnam War but also of speeches by Martin Luther King Jr., Malcolm X, Kwame Ture, Angela Davis, Muhammad Ali, and others, all hinting that the promise to African-Americans has not been fulfilled.
“Da 5 Bloods” enjoys a script from the minds of Kevin Willmott, who co-wrote “BlacKkKlansman” with a screenplay by Danny Bilson and Paul DeMeo.
Vietnam, where the five title African-Americans had served, illustrates the bond that the quintet had formed since their service in what Vietnam calls “The American War.” They had made the long journey from the United States to bring back the body of Stormin’ Norman (Chadwick Boseman), one of their fighters, killed in action some five decades earlier. The discovery of gold bars which the American forces had left behind after a military aircraft was wrecked, leads them into battles with Vietnamese, who claim the riches as theirs, resulting in the deaths of some of the “bloods” by adversaries that include a French fortune hunter and a group of near-crazed locals.
As Paul, Delroy Lindo, best known to TV viewers for his role as a partner in a law firm in “The Good Fight” often
considered the best show on the tube, has suffered from PTSD, or Post-Traumatic Stress Disorder since his soldier days in the Vietnam War.
Using identifying handshakes and lots of excited talk, Paul (Delroy Lindo) Otis (Clarke Peters), Melvin (Isiah Whitlock Jr.) and Eddie (Norm Lewis) meet up in Saigon, sharing their dismal treatment by Americans who called them baby killers (never mind that they were drafted and that the real killer was sitting in the Oval Office). Vinh (Johnny Tri Nguyen) serves as their guide, though some of the bloods believe that he is ideologically “in” with the Viet Cong communists. During their adventure, Otis visits his lover from the war days, finding out that she has a kid and that Otis is the dad. Among the real heroes, Hedy (Mélanie Thierry) shows up, announcing that she has repudiated her family’s fortune and is now altruistically with a group dedicated to removing old land mines.
Naturally the African-American adventurers do not always agree with one another. Otis does not entirely trust Paul, and David (Jonathan Majors), who turns up with the group, has had difficulties connecting with his father, largely because of the latter’s PTSD. Though “Da 5 Bloods” is an ensemble piece and will compete for end-year awards as such, each character has his own identity, from the hotblooded Paul to the generally calmer Melvin. Cameos include a re-creation of a Tokyo-Rose type of newscaster who, during the war, broadcasts to the Americans that racism exists at home, implying that the Vietnamese communists are not their real enemy. She notes that eleven percent of America is African-American, yet they comprise thirty-two percent of soldiers in the war.
Action scenes, archival films, evocations of racism in America down to this day make “Da 5 Bloods” my choice for Best Ensemble, allowing me to vote for the picture when New York Film Critics Online considers the best in fifteen categories.
156 minutes. © 2020 by Harvey Karten, Member, New York Film Critics Online
Story – B+
Acting – A-
Technical – A-
Overall – B+