RICHARD JEWELL – movie review

RICHARD JEWELL
Warner Bros
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Clint Eastwood
Screenwriter: Marie Brenner, Billy Ray
Cast: Sam Rockwell, Olivia Wilde, Jon Hamm, Kathy Bates, Nina Arianda, Paul Walter Hauser
Screened at: Warner, NYC, 11/25/19
Opens: December 13, 2019

Richard Jewell Movie Poster

No good deed goes unpunished. Remember Frank Wills, the security guard at the Watergate Hotel who discovered something funny about the lock on a door and whose discovery brought down President Nixon? Wills was given a $2.50 raise and was denied a promotion that he requested based on his good citizenship. Think of Chesley “Sulley” Sullenberger, rewarded for saving the lives of all aboard his plane, but not before he is baked over the coals for allegedly violating orders from the ground. Sulley, like Richard Jewell, was given his due by Clint Eastwood in the 2016 film “Sully.” The director’s now sets his sites on overzealous police.

If you’re high up, like journalists Bob Woodward and Carl Bernstein, you will be rewarded, maybe with a Pulitzer, as the two newspaper men got for reporting on the Watergate scandal in the Washington Post. But if you’re low on the totem pole, you may wind up like the title character, Richard Jewell, who saved scores of lives by alerting the authorities of a potential bomb inside a backpack left under a bench at the 1996 Atlantic Summer Olympic games. His reward? Though not under arrest, he remained a suspect as the bomber himself, later remaining for six more years as a suspected accomplice to the terrorist.

Richard Jewell is played remarkably by Paul Walter Hauser, not unknown as an actor but this time given the lead role by director Eastwood. Based on actual events surrounding the bombing of the Atlantic Olympics, “Richard Jewell” is anchored by Hauser’s performance, an overweight guy with a record as a screw-up, a former sheriff’s deputy who is eased out and forced to become a lowly supply clerk at a law firm after a college dean fired him for being overzealous in giving hell two a couple of students with alcohol in their dorm. Your record follows you for life and could help the authorities do a number on you for actions that are completely innocent.

Though already age 33 Jewell still lives with his mother Bobi (Kathy Bates), seems to have no social life, and becomes a punching bag, or doormat, by the FBI, eager for an arrest and conviction for a tragedy that took two lives and injured 111 others. As luck would have it, Jewell had made the acquaintance of a lawyer, Watson Bryant (Sam Rockwell), who is working at a law firm and who joins Jewell in a video shooting gallery. Jewell, a non-entity, is destined to become first a hero, then a terrorist, when on the evening of July 27, 1996 he warns police to clear an area because of the discovery of a suspicious backpack. When the bomb goes off, he is hailed as a hero in the press, particularly by journalist Kathy Scruggs (Olivia Wilde), who has been given confidential information by FBI agent Tom Shaw (Jon Hamm), with whom she may be having an affair. She is later to turn against Jewell with sensationalized reporting that trashes Jewell, reflecting Tom Shaw’s new, classified information.

Defended by Watson Bryant during questioning by Agent Shaw and his assistant Dan Bennet (Ian Gomez), Jewell becomes chief suspect for fitting the profile: a guy with a modest job, no friends, obese and living with mom, Jewell remains in Agent Shaw’s sites for six years, as the FBI closes the case, though Shaw tells Bryant that he think the lawyer’s client is “guilty as hell.” Watch the awards groups considering Paul Walter Hauser for Best Breakthrough Performance and Sam Rockwell for supporting role. They rivet attention.

This is the year that the movies free the innocents. In “Brian Banks,” a football star is convicted for a crime he did not commit and sentences to ten years of jail and probation. The California Innocence Project gave him back his life. In “Just Mercy,” a man is sentenced to death despite the lack of evidence and is freed thanks to the hard work of a newly graduated Harvard-educated attorney who declined big money jobs to work for virtually nothing. Losers, like starving lawyer Watson Bryant and security guard Richard Jewell become winners, working together in this solid police drama.

Story – B+
Acting – A-
Technical – B+
Overall – B+

THE DAY SHALL COME – movie review

THE DAY SHALL COME
IFC Films
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Chris Morris
Screenwriter: Chris Morris, Jesse Armstrong
Cast: Marchánt Davis, Danielle Brooks, Anna Kendrick, Denis O’Hare, Andrel McPherson
Screened at: Critics’ link, NYC, 9/20/19
Opens: September 27, 2019

The Day Shall Come movie poster 12x18 - 32x48 inch

Is it possible that during the student demonstrations against the Vietnam War during the sixties, some of the youths were coaxed by the authorities to do more than burn the flag and their draft cards? Perhaps Molotov cocktails were suggested and agreed to, leading to the arrests of the young people who were flattered by the attention? Today we suffer through an endless war in Afghanistan, though student demonstrators against them are nowhere to be found. Given the relative absence of domestic terrorism, could the FBI, the CIA, the local police and other agencies, fearing a downsizing of their numbers, deliberately use overbearing ways to entrap otherwise innocent people? They could tempt them to buy or sell drugs, guns, bazookas, Molotov cocktails and the like. We are supposed to be able to resist such calls to crime, but sometimes the authorities have ways to convince you to do wrong.

Such is the case in “The Day Shall Come,” directed by Chris Morris, whose “Four Lions” in 2010 about incompetent British terrorists puts him clearly in his métier with this contribution. Though the entrapment attempts are over the top, we are told that such machinations really go on today. In the lead Moses Al Shabaz (Marchánt David), wearing a six-pointed star to symbolize his leadership of a farm community, aims to eliminate “white gentrificators” who are ejecting African-Americans from their homes. Blowing up a nearby crane is in his plans, but for now, Moses is more a pontificator than a real doer, given to swearing allegiance to Black Santa, Jesus, and Haiti’s liberator Toussaint Louverture. He hears God speaking to him through a duck, so who can be more motivated to lead an act of terrorism?

Meanwhile in an FBI office committed to trapping would-be terrorists before they can strike, the authorities under Andy (Denis O’Hare) pressure informant Reza (Kayvan Novak) into entrapping Moses, convincing him to go through with an arms deal to a neo-Nazi group (also working for the law). Agent Kendra Glack (Anna Kendrick) does most of the footwork. Jesse Armstrong and Chris Morris’s script requires Moses and his accomplices—who act more like the Three Stooges than like competent terrorists—to project to us in the audience to remember that this entire film is a comedy, a satirical one that can wake us up to the shenanigans law enforcement agents go through to keep their jobs and grab promotions. While Moses’s wife Venus (Danielle Brooks) is the only normal person in the entire movie, Morris delivers the laughs, and laughing at grandiose people is the best way to take them down.

Kudos especially to Marchánt Davis whose emotional disturbances anchor the movie and its successful and outrageous notions.

87 minutes. © 2019 by Harvey Karten, Member, New York Film Critics Online

Story – B-
Acting – B+
Technical – B
Overall – B