Alone With Her Dreams (Picciridda – Con i piedi nella sabia)
Reviewed by Harvey Karten for BigAppleReviews.net
Director: Paolo Licata
Screenwriters: Ugo Chiti, Catena Fiorello, Paolo Licata
Cast: Lucia Sardo, Marta Castiglia , Ileana Rigano, Katia Greco, Claudio Collova, Lorendana Marino, Tania Bambaci, Frederica Sarno
Release Date: October 30, 2020
Many couples with failed marriages avoid separating and divorcing until their children are eighteen years old, able to take care of themselves and old enough to be cushioned against the loss of their moms and dads. Even more concerning, though, is the psychological harm that comes when both parents leave a child, in the case of “Alone With Her Dreams” going from a seacoast town near Messina to somewhere in France to find jobs. During the 1960s, when hell might freeze over before a Sicilian is given employment in Rome or, for that matter, anywhere in Northern Italy, the mother and father of eleven-year-old Lucia (Marta Castigilia) try to sooth their traumatized little girl (known as “little one” by her family) as they board a boat that will take them by train across the border. They took just one of their brood with them, unable to take care of both, leaving Lucia in the hands of her grandmother, Nonna Maria (Lucia Sardo).
As the film progresses, we in the audience might feel angry with Maria, a widow who regularly insists that she would prefer being alone, and who appears to take out her frustrations on her charge—spanking her with a wooden spoon when she comes home late and depriving her of the kind of love a small child should expect of at least someone in the family.
Later, though, we understand why the older woman has been harsh with Lucia, but not until she comes back in the current year, a 41-year-old woman (Federica Sarno), finally hearing the truth of a story that had been a lie promulgated by her uncle, Zio Saro (Claudia Collovà). For his part uncle Saro tells his niece the fake reason that her grandmother refuses to speak to her own sister, Zia Franca (Loredana Marino).
Without question this is a coming-of-age story but rises above the glut of such dramas by Lorenzo Adorisio’s photography on a seacoast area of Sicily that might be sought out by tourists seeking a peaceful vacation away from the treasures of Rome, but an area marked by the poverty of its inhabitants.
As we see daily life of the residents of a small village—fruit and vegetable stands with food that Italians can never get wrong, gossip by the folks which means that everything and then some is everybody’s business, near-curses put on people within families, one of which becomes resolved toward the conclusion of the story—we can empathize with Lucia easily enough, but most of all we can lift our censorious attitude toward granny when you realize that she has Lucia’s long-term interests at heart.
This is Paolo Licata’s freshman offering as director, a person who may have a difficult time carving out a future story as tender and yet as unsentimental as this one, its two principals bonding as though they were parts of an actual family.
In Italian with English subtitles.
95 minutes. © Harvey Karten
Story – A-
Acting – A-
Technical – A
Overall – A-