CRAZY, NOT INSANE – movie review

CRAZY, NOT INSANE
HBO Documentary Films and streaming on HBO Max
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Alex Gibney
Writer: Alex Gibney
Cast: Dorothy Lewis, Laura Dern (narrator), Park Dietz, Catherine Yeager
Screened at: Critics’ link, NYC, 10/26/20
Opens: November 18, 2020

Crazy, Not Insane Movie Poster

October 2020 is closing on what is likely the most crazy and insane presidential election in modern history. Millions of citizens are mailing in their ballots hoping that theirs will not be discarded because or some technicality. Apropos, the Pennsylvania Supreme Court ruled a few days ago that if the signatures on the mailed ballots do not match the signatures on the voters’ official records, the ballots still be counted. So if the signatures are not alike, does that evoke thoughts of forgery? Perhaps. But listen to what Dr. Dorothy Lewis might say if she were called in for her opinion as a psychiatrist. “Consider that the individual whose signatures do not match may have DID, or Dissociative Identity Disorder,” which is the name now given to what used to be called multiple personality disorder. (You might have seen this demonstrated in Nannally Johnson’s 1957 movie “The Three Faces of Eve.”) A “different person” may have signed the official registry years ago than the individual who signed this year.

Do you believe a person can morph into a different individual, actually talking to another identity while anybody witnessing this would think he is talking to himself? Dorothy Lewis is convinced. But reading about this is not some hobby that she toys around with, arguing against people like a prosecutor, Paul Dietz, thinks the whole idea is malarkey. People with multiple personalities, appearing even shy and stable to us, may have alters, or alternate identities, that can commit murder. Utilizing that theory, Dr. Lewis, who is the principal character in this HBO documentary, has traveled around at the bequest of defense attorneys to prove to juries that their clients may be crazy, but not insane.

During the two hours we spend with the good doctor in a riveting doc that includes intriguing, home-made pulsating animations and relevant archival films and home movies, director Alex Gibney, whose “Citizen K” uncovers details of a Russian opponent of Putin and whose “Going Clear” penetrates the religion of Scientology, makes the case for the psychiatrist. Lewis, who like a majority of Americans is against the death penalty, is no pushover. She believes that though murderers have been driven to dissociate and to torture and kill thanks to abusive parents and others in their childhoods people sometimes causing permanent brain injury, should be locked up “and throw away the key” to protect those of us fortunate not to have imaginary friends. She also holds that any of us, including she, could under the right circumstances kill, and that nobody is born evil. Evil is a religious term that has no bearing on the subject at hand.

She has been able to charm some serial killers into allowing her to interview them, their perhaps hoping that she could influence juries to get them off or at least avoid the death penalty. Two of special interest are Arthur Shawcross and Ted Bundy. As she chats with Shawcross, who keeps his eyes closed most of the time even when not under Lewis’s hypnosis, she finds that this man who killed eleven women shares an identity with his own vindictive mother and with a 13th century cannibal. In the latter role he ate women’s vaginas. And who can better tell us that some of these abused killers have no idea they’re about to be executed (grounds for commuting their sentences) than Ricky Ray Rector, declared sane, who asked the officers to save the slice of pecan pie given to him as his last meal to eat later?

Ted Bundy is among the most interesting of serial killers, a man who is highly educated (if you consider lawyers to be so), articulate, and handsome who persuaded women to bond with him before killing them and keeping their skulls as souvenirs. He defended himself, agreeing on the day before his execution to several hours’ discussion with Dr. Lewis refuses to believe that Bundy or anyone else was born evil. She holds a fascinating interview with a man who killed more people than any of the aforementioned, Sam Jones, an electrician who picks up gigs traveling the country, pulling the switch on some hapless folks who sit in a wooden chair for the last time. He demonstrates no compunctions about his work, but try as she might have done, she could not find an alternate personality in this legal executioner.

So what do you think after seeing the doc? Do you agree with Park Dietz, who like a typical prosecutor thinks that this psychiatric explanation of murder is a hoax? Or do you buy Dr. Lewis’s point that we might do better to prevent future killings by studying murderers and not simply dispensing with them by injections, gas, the rope, electricity, or as was done in Utah, firing squads? Whatever your view, “Crazy, not Insane” the most provocative documentary so far this year, giving Dorothy Lewis the attention and credit she so richly deserves.

118 minutes. © 2020 by Harvey Karten, Member, New York Film Critics Online

Story – A-
Acting – B+
Technical – A-
Overall – A-

 

THE SOUNDING – movie review

THE SOUNDING
Giant Pictures
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Catherine Eaton
Writer: Catherine Eaton, Bryan Delaney
Cast: Catherine Eaton, Teddy Sears, Harris Yulin, Frankie Faison, Danny Burstein, David Furr, Lucy Owen
Screened at: Critics’ link, NYC, 10/1/20
Opens: October 20, 2020

Catherine Eaton in The Sounding (2017)

As a former high school teacher, I have this question for you. Shakespeare is probably taught in most high schools, and is an elective or part of required English literature in most liberal arts college. The aim of the folks who decide curricula is hopefully not simply to have students pass tests but to give them a love of literature, particularly the plays of the Bard. Then how come maybe one percent of adults go voluntarily, willingly, excitedly to performances of Shakespeare’s plays? Surely we should not be so elitist to think that every teen through 22-year-old must know at least one play, so as Joe Biden would say, here’s the deal.

Catherine Eaton, who directs “The Sounding” and serves as its star, might give you the impression that as long as you reach one person out of a hundred who becomes enamored with Shakespeare’s works, that’s enough. Eaton, in the role of Olivia or Liv, becomes the kind of fan beyond what anyone would imagine. First she refuses to speak for years; then when she finally lets loose, every word is a quote from Shakespeare that fits the occasion she’s in. Lionel (Harris Yulin), her grandfather, had home-schooled her on Monhegan Island in Maine where David Kruta films the action, a popular tourist destination for hiking and sailing. The place is nearly deserted with few year-round inhabitants, and that’s perfectly fine for Liv, though granddad, a psychiatrist, first tries to treat her silence, then gives up, realizing that maybe the young woman has no intention of communicating, of being what’s considered normal.

However, not ready to leave things be, he persuades Michael (Teddy Sears), a former pupil of his, to be her advocate, insisting that he not try to cure her nor, heaven forbid, to allow her to be hauled away to a psychiatric institution, even though one day she nearly drowns and is considered a harm to herself. She is sent on Michael’s insistence to a psychiatric hospital where she becomes a rebel, like “cuckoo” Jack Nicholson, entertaining the other inmates with Shakeseare’s quotes fitting each occasion and nothing else. Since she pushes back regularly, the shrinks believe she may have to be institutionalized for a long time. Goodbye ocean, hiking paths, freedom.

There’s a joke that the motto of the American Medical Association is “If it ain’t broke, we fix it until it is,” and this movie illustrates the saying—which, it turns it, is not a joke at all. Michael feels guilty, and despite enjoined by a restraining order, he determines to let nothing stand in the way of having her regain her freedom. The shrinks are the crazies here.

In some film festivals, for her performance in resisting the powers in the island’s snake pit, Catherine Eaton has won some best actress awards in a role that decades ago would played by Olivia de Havilland. The story is paced slowly, then picks up speed as she gathers into herself the emotions that the Bard himself must have felt. Wouldn’t it be a nice addition if we had subtitles each time Eaton delivers a quote, together with its source? So: brush up your Shakespeare: start quoting him now.

93 minutes. © 2020 by Harvey Karten, Member, New York Film Critics Online

Story – B
Acting – A-
Technical – B+
Overall – B