GRIPPED: CLIMBING THE KILLER PILLAR
Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten
Director: Benjamin Galland
Screenwriter: Corey Fischer, Benjamin Galland, Donna Laemmlen
Cast: Kaiwi Lyman, Megan Hensley, Amanda Maddox, Natalie Duran, Bryce Wissel, Jacki Florine
Screened at: Critics’ link, NYC, 8/4/20
Opens: August 17, 2020
If you want a climbing movie with a plot, you’ll want to look back to Clint Eastwood’s 1975 “The Eiger Sanction,” wherein a a hit man, who is an experienced climber, is ordered to take out a climber. He sees three men scaling the Eiger in the Swiss Alps and does not know who is the true target. The plot is unbelievable, but so what? It makes for interesting action fare, scenes of the Alps, and an exciting motif. “The Vertical Limit” is another, also a ridiculous plot, but keeps the viewers glued as a young climber seeks to save his sister and a summit team before time runs out. “Shivaay” focuses on a skilled mountain climber whose daughter is kidnapped while he seems helpless to save her. Eleven percent fresh on Rotten Tomatoes, but then again, there’s a plot.
The plot is not ridiculous in “Gripped: Climbing the Killer Pillar,” but Benjamin Galland in his sophomore full narrative feature doesn’t have much of a story, which makes one wonder why three screenwriters were needed when the chatter on level ground could have been improvised. The story takes place in California’s Sierra Nevada mountains featuring one thousand foot rock cliffs with enough cracks to place your fingers to propel you from the ground up.
The two leads, Bret (Kaiwi Lyman) and Rose (Amanda Maddox) meet up with others on the grouind, spending the first night drinking beer and partying. You can believe that Kaiwi Lyman would know how to scale a cliff given that he’s an outdoorsman, having played water polo, sailed, indulged in Brazilian jiu jitsu, surfed and acted as a magician, but as his bio states, nothing excites his more than being on the stage. It’s not that he should stick to the stage. The trouble is that the rock-climbing movie which is billed as a comedy but is really a romance in the great outdoors is not much of a watch unless you are yourself a rock climber.
In the movie’s favor is that there are no stunt people. The actors do their own rope-climbing and must worry that the head and shoulder injury faced by Bret would not be too serious. There is excellent cinematography by John Garrett, who may have done even more than the two climbers by lugging heavy equipment up the rocks—if indeed he got the close-ups and far shots from a neighboring peak.
Rose falls for Bret, not unusual given the man’s chick-bait looks with long blond hair and beard, a kerchief tied to his forehead, and since there’s nothing like danger to arouse the passions, the two hit it off hundreds of feet up, kid each other, find time to kiss, and Rose is able to save Bret (not the other way around) when the gent slips and hits his head and shoulder. While the folks back on land, Jade (Megan Hensley) and company rush into action when the two injured daredevils do reach the land, whatever amounts to a story is predictable. Still it’s a woman-empowerment film especially since the woman saves the rugged man.
89 minutes. © 2020 by Harvey Karten, Member, New York Film Critics Online
Story – D-
Acting – B
Technical – A
Overall – C+